We recommend using an adblocker, some of the sources may include their own ads.
Still
"This collapse of separate times into one image creates another push/pull with the experience of depth. The superimpositions seem to lie on top of the image, yet they move into depth, creating what Gehr describes as a 'teasing play with planes.' But the play with space and position here involves more than tension between layers. The variations on light and shadow on the two levels cause the double-exposures to pop in and out of depth. A shadow on the first level can give the superimposition a sudden burst of solidity. Gehr calls our attention to the multiplicity of depth cues that operate in a film in addition to perspective recession. The cue of overlap creates much of the amusement of the film, as the vehicles on one level plow through the phantoms on the other. Gehr was particularly fascinated by the way depth cues provided by color (with warm colors coming forward) interact with the logic of space..." – Tom Gunning
1958
•en
Auntie Mame
2005
•en
Brokeback Mountain
2013
•zh
The Grandmaster
1998
•en
The Truman Show
2012
•fr
Laurence Anyways
1976
•en
All the President's Men
2001
•fr
Amélie
1995
•en
Casino
2003
•ko
Oldboy
1949
•en
The Third Man
2003
•en
Lost in Translation
2011
•it
We Have a Pope
1941
•en
Citizen Kane
2004
•en
Kill Bill: Vol. 2
2001
•en
Just Visiting
2007
•en
No Country for Old Men
1994
•en
Pulp Fiction
2009
•en
Antichrist
1999
•en
Office Space
1977
•en
Eraserhead