Wovie

In Thasos, by the humble means of a limpid and poetic observational gaze, slivers of an island life routine are made into a proposal countering the picture-postcard image of an entire country, at precisely the time when Greece was experiencing its first explosive wave of tourism back in the 1960s. Rhythmic, at times frenzied and bordering on paganistic, structured around traditional folk songs of the Greek islands, with an emphasis on seeking out a sense of familiarity with the “feel” of the island, and with humankind and the natural world set at its heart.